Wednesday, May 6, 2020

Art Heals: Agora, Agapē


Aside from watching the daily dramas of working-from-home, living room yoga, and balcony horticulture in the apartments directly opposite my window (those opera glasses have come in handy), my world view is filtered by screens these days.  Not the bug repelling kind (murder hornets please pass us by) but the alphabet soup of LCD, LED, E-INK screens of iPads, Kindles, televisions, phones.  And filtered is the apposite word.  By and large, the information I receive is passively or actively chosen by me.  I choose the channels, the social media, the news feeds, that feed (yes, feed) my hunger for information and opinion.  But that nourishment is the alimentary equivalent of choosing Pringles over Lay’s chips, yummy, but neither satisfying my nutritional or informational needs.
So of course, I started thinking about ancient Greece.  (Please do not make the leap from the chips—Pringles are not greasy.)
In our longing to reopen, to go anywhere and do anything, to take our public spaces back, we are hankering after the agora.  Originally, the agora was a public space in ancient Greek city-states where citizens would gather to hear military or political pronouncements.  Later, market stalls for commerce were set up around the gathering place, subsequently inducing the artisans who made the goods to erect workshops in the area.  As more people congregated, the agora became the principal place for athletic competitions, artistic endeavors, political and religious pronouncements.  It is thus we have two Greek verbs ἀγοράζω, agorázō, "I shop", and ἀγορεύω, agoreúō, "I speak in public."
Direct link to today’s clamor for opening the shopping malls and political conventions.
In today’s world ( well, yesterday’s world, pre-covid) our public spaces had already begun to shut down to the free expression of opinions (louder voices prevailing) but it was still possible to go to city centers or town squares and see and hear a diversity of people; young, old, racially and ethnically heterogeneous, car drivers and cyclists arguing loudly,  authentic Gucci bags warring with fake Gucci bags, used Starbucks cups littering the sidewalk; all the bad and good cacophony of people being people out in public.
Which brings me to agapē.  Agapē is a form of charity, in the sense of altruistic, humanitarian behavior. It is the unselfish love of one human for another, even for those who litter while carrying fake Gucci bags.
Right now, we are in a period of transition.  We need both the agora and agapē in our lives.  Once this pandemic is finally under control, I want to resume my interaction with others different from myself.  I want, in place of accidental exposure to the virus, accidental exposure to information I didn’t curate for myself.  But I also want to see kindness, to be kind, to accept all that diversity out there as the proper exercise of freedom in the public space.  And I really want to shop.
Agora, courtesy of Adnan Charara.  Art Heals.


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